Transition from Caturasra Gati to Misra Gati, Reduction, Korvai

A preleminary phrase sets up a transitional section
from Caturasra to Misra Gati (seven subdivisions per beat).
This is done by playing the same phrase in both subdivisions in alternating sections.

Following this is a Reduction (a compositional device where a phrase is repeated and truncated, creating rhythmic cadence).

The final section is a complicated Korvai that uses different arrangements
of 5,7,9 (body) and 3,5,7 (mora) in each of its three variations.